Public Relations & Social Marketing Insight

Innovative storytelling, audience engagement, and financial flexibility are key ingredients for newspapers to cope with pressures from competitors, budget constraints, and the speed at which technology is changing."It came as no surprise when The New York Times took home a Pulitzer for 'Snow Fall' - the immersive multimedia package impressed journalists and web designers alike with its seamless integration of text, audio, videos, photos and interactive graphics."The comments in "Trends in Newsrooms 2013," the World Editors Forum's report on the state of the news industry, about the attention-grabbing content, underlined the importance of stories that jump out at readers....

The immersive multimedia documentary, built using Zeega, tells the story of the impact of oil drilling in North Dakota.

 

Todd Melby wants to tell small stories. Hardly an impossible goal for a journalist, but when you’re looking at something as big as the explosion in oil drilling in North Dakota, the scale of the story can get out of hand. In less than five years, the state has tripled its oil production; the Census Bureau estimates western North Dakota (where the oil is) will see its population increase by 50 percent. Big story.

 

So Melby decided to to tell the macro story in a micro way, focusing on the roughnecks who come to North Dakota in search of jobs, the daily experience of working on an drilling rig, and the families whose lives are upended by the oil patch. The result is Rough Ride, a multimedia experience that takes an intimate, documentary-esque approach to telling the story. Split into a series of chapters, Rough Ride divides up the various players and scenes found throughout North Dakota’s rapidly expanding oil country, intertwined with interactive graphics, photography, and first-person video.

 

(It’s not something easy to embed in an article like this; you really do need to go to the site and let it play to get the experience. Go full screen if you can. It’s immersive in a way that a 600-pixel-wide frame can’t be.)...

When a helicopter crashed in a densely populated part of London around 8am today, next to one of the busiest trainlines in Europe and a large bus station, the news was always going to be broken, within seconds, by members of the public on Twitter, armed with camera phones.

Twitter user Craig Jenner was one of the first to put a picture on Twitter which was shared far and wide.

What happened next is indicative of the way the media are increasingly playing catch-up on such stories, moving from reporting to aggregating (or curating, if you must) - images, eye-witness accounts and videos. Journalists were asking to use the picture with a credit and were trying to get Jenner on the phone...