Public Relations & Social Marketing Insight
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Public Relations & Social Marketing Insight
Social marketing, PR insight & thought leadership - from The PR Coach
Curated by Jeff Domansky
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Bill O'Reilly's Ratings: Not As Strong As You Might Think

Bill O'Reilly's Ratings: Not As Strong As You Might Think | Public Relations & Social Marketing Insight | Scoop.it

Recent headlines exclaiming “Cable News Ratings Soar,” about how there were 72.5 billion minutes of news consumption in 2016, made me cringe.  Any time you start talking about billions of minutes viewed, it’s a not-too-transparent attempt to hide the fact that average ratings are small.  


This is relevant in light of Bill O’Reilly being fired from Fox News under a cloud of sexual harassment allegations.  “The O’Reilly Factor” has been positioned in the press as a ratings powerhouse.  If cable news ratings were soaring, Bill O’Reilly was leading the charge.  The reality, however, is somewhat different from the headlines.

There is no question that O’Reilly has been key to Fox News’s prime-time success, helping the network rise head and shoulders above the other cable news networks.  But there is a reason why you seldom hear anything about his actual ratings.  They’re decent, but by no means great.  O’Reilly’s live adult 18-49 rating in the Q4 (election season) was only 0.26.  Among the key news demo of adults 25-54, it was just 0.40 – less than half a rating point....  

Jeff Domansky's insight:

Here's a very useful reality check on Bill O'Reilly, Fox news and cable TV news ratings in general.

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Which Network Was No. 1 in 2015? Almost All of Them, Apparently

Which Network Was No. 1 in 2015? Almost All of Them, Apparently | Public Relations & Social Marketing Insight | Scoop.it

Better watch out, you better not cry, you better not pout, I'm telling you why: Santa Claus is coming to town, and this year he's handing out 2015 ratings victories to seemingly everyone.


Several networks are closing out 2015 by declaring calendar year ratings wins, some in the traditional demographics, others in more creative categories. It's the TV version of "everyone gets a trophy." Here's a rundown of which networks seem to be on top in certain demos this year, according to Nielsen...

Jeff Domansky's insight:

To me, this shows the reason why traditional network TV is losing ground to social TV. No differentiation and very little true innovation.

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Study: Viewers Engage More With TV Ads Than Video Ads

Study: Viewers Engage More With TV Ads Than Video Ads | Public Relations & Social Marketing Insight | Scoop.it

In keeping with results from biometric and eye tracking data, 47% of consumers said they immediately skip or ignore a video ad on Facebook before watching it.

Innerscope says 25% of consumers were more likely to say they would try or buy target brands after watching the ads on TV, compared to watching the ads on Facebook at 9%.

Innerscope says smaller screens are a big factor in lower video ad impact, where visual attention spent on branding moments, logos and taglines declined with screen size....

Jeff Domansky's insight:

TV still titillates. Very interesting study compares TV with social media advertising using biometric data.

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Television's Future Has a Social Soundtrack | Harvard Business Review

Television's Future Has a Social Soundtrack | Harvard Business Review | Public Relations & Social Marketing Insight | Scoop.it

...Television is undergoing an analogous transformation. Although we sometimes watch with family or friends, we mostly experience TV in relative social isolation. We are disconnected from most of the people watching with us, deaf to the roar of the crowd during a game or the laughter of the audience after a punch line. We have learned to suppress our urge to talk about what moves us, settling instead for chance meetings at the water cooler the day after.

 

But all that has changed with the sudden rise of realtime social media, particularly Twitter. Just in the United States, tens of millions of people are talking to each other as they watch TV. This year's Super Bowl alone spurred over 24 million tweets. After 80 years of sequestered viewing, television audiences worldwide have forged Twitter into a social soundtrack for TV. If you are not part of the soundtrack yet, chances are that you will be soon....

Jeff Domansky's insight:

Outside the box thinking on the intersection of TV and social media. 

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Radically redefining TV | # Transmedia

Radically redefining TV | # Transmedia | Public Relations & Social Marketing Insight | Scoop.it
Fiona Milburn sits down with Ian Fowler and Holly Alexander of @radical.media to find out how audiences are driving the future of storytelling.

 

[The production for Doctors Without Borders is a useful case study in Transmedia ~ Jeff]


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Netflix’s binge scale reveals which shows you “savor” and which you “devour”

Netflix’s binge scale reveals which shows you “savor” and which you “devour” | Public Relations & Social Marketing Insight | Scoop.it

In a survey spanning 100 TV series, Netflix found that, on average, subscribers spend about two hours a day binge watching the show in question. But some shows, in particular, entrance viewers and leave them wanting more—say, sci-fi thrillers like Orphan Black or horror dramas like The Walking Dead. Subtle, slow-moving dramas like Mad Men, however, are watched at a more leisurely pace, as are comedies like Unbreakable Kimmy Schmidt....

Jeff Domansky's insight:

Just what we need – the Netflix binge scale. ;-)

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What Sesame Street’s Move to HBO Says About the Media Business

What Sesame Street’s Move to HBO Says About the Media Business | Public Relations & Social Marketing Insight | Scoop.it

Sesame Street’s move last week to partner with HBO came as a surprise to some, but it makes a lot of sense given the broad trends in today’s media industry. The new world of media prizes both high quality content and high quality technology. In fact, to thrive you really need both. And for that reason, Sesame Street Workshop made a smart move to bolster distribution and fill gaps in its business model.


Public media has generally prioritized technology only to the extent necessary to distribute its content, which has been its primary emphasis. PBS, NPR, and others source funding from government, foundations, corporate sponsors, and audiences to develop independent, high-quality programming, free from overtly commercial treatment. But that’s not enough for today’s media market. The current environment requires serious investment not only in high quality content but also in innovative digital approaches to distribution....

Jeff Domansky's insight:

Neither content nor distribution is enough on its own. Learn what Sesame Street’s move to HBO says about the media business.

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How ‘Cord Cutters’ and ‘Cord Nevers’ Became ‘Cord Compromisers’ | Mediashift | PBS

How ‘Cord Cutters’ and ‘Cord Nevers’ Became ‘Cord Compromisers’ | Mediashift | PBS | Public Relations & Social Marketing Insight | Scoop.it

2015 will be a banner year for ‘TV Everywhere’ and delivery of television to smartphones, tablets and other capable devices. Make no mistake, it will happen.

But a look back at how the landscape has evolved shows, that for the very vocal “cord cutters” (those who seek to reduce their dependence on traditional cable channel bundles) or “cord nevers” (those who propose that they will never pay for a traditional cable channel lineup), the universe of content they sought at price points of their choosing never seemed to materialize. In both cases, it seems that perception has swerved far past and missed reality....

Jeff Domansky's insight:

TV is undergoing an upheaval and this in-depth series at Mediashift is recommended reading.  9/10

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Will storytelling take social TV’s center stage in 2013? | Lost Remote

Will storytelling take social TV’s center stage in 2013? | Lost Remote | Public Relations & Social Marketing Insight | Scoop.it

Jacob Shwirtz:  "As social TV continues to evolve, with more start-ups, more consolidation and broader impact on our industry, it seems appropriate to take stock of 2012 and try to foresee what 2013 has in store for the hottest buzzword in the media industry."

 

...But there’s something even bigger that 2013 has in store; a new understanding that has the potential to overshadow other trends. It may take until the second or even third quarter, but eventually industry executives will start to think of social TV as much more than a technology or a marketing/distribution platform.

 

The big win, the ultimate expression and promise of social TV, is the understanding of digital and social media as storytelling media. TV’s best expression isn’t as a marketing tool for radio and social media’s best expression isn’t as a marketing tool for TV....

 

[Thoughtful exploration of social TV ~ Jeff]


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